Episode #117: Mike Kelley sets the record straight about being called a "bad boy" throughout his career, describing the shifting tastes of critics and artists towards abject art in recent years.
Mike Kelley's work ranges from highly symbolic and ritualistic performance pieces, to arrangements of stuffed-animal sculptures, to wall-sized drawings, to multi-room installations that restage institutional environments (schools, offices, zoos), to extended collaborations with artists such as Paul McCarthy, Tony Oursler, and the band Sonic Youth. His work questions the legitimacy of 'normative' values and systems of authority, and attacks the sanctity of cultural attitudes toward family, religion, sexuality, art history, and education. He also comments on and undermines the legitimacy of the concept of victim or trauma culture, which posits that almost all behavior results from some form of repressed abuse. Kelley's aesthetic mines the rich and often overlooked history of vernacular art in America, and his practice borrows heavily from the confrontational, politically conscious "by all means necessary" attitude of punk music.
VIDEO | Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Norbert Arnsteiner & Nancy Schreiber. Sound: Stacy Hruby & Ullrich Vlasak. Editor: Paulo Padilha. Artwork Courtesy: Mike Kelley. Special Thanks: MUMOK, Vienna.
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Ulamonge Blog started in 2003 as a source of inspirational links about street art, graffiti, graphic design, design, webdesign, product design, photography, t-shirts, pop culture, entertainment, the internet and life in general. Since then, we bring you the most interesting news and other stuff that we come across as we surf the net. We have been considered by many a reference as an art and design blog and an instrumental resource for the creative community
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